Sunday, April 10, 2011

Click February 1938 v01n01


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It's been a long, busy week, and I've just gotten back from the final home game of the Memphis Grizzlies, but I've got a little time for a short post tonight that's a follow up to the post a couple back on Look and the emergence of the variety photo magazine of the late thirties. My pal McCoy has just scanned a key issue in the canon of the 20th century American magazine, and it needs sharing with a wider audience! It is a fine scan of Click v01n01 from February of 1938 with Dorothy Lamour adorning the cover, and the full scan is available here.

If Look was some sort of counter-balance to Life in its inclusion of entertainment and sensational material, appealing to a wider audience, then Click took this notion even further. Too far, some believed, as Steven Lomazow's American Periodicals: A Collector's Manual and Reference Guide notes that Click was at times deemed obscene enough to be banned by Canada and the Catholic Church. Indeed, I was a bit flabbergasted to find a couple of artfully done nudes in the issue, as I tend to think of the mainstream magazines of the mid and late 30s as having totally abandoned the free-wheeling spirit that permeated the magazines of the roaring 20s. I'd note that the gallery photos in this issue are in no way obscene and many have artistic qualities. And perhaps they seem more so in contrast to the shocking character of many of the articles. But let's put up some pages so you can judge for yourself, eh?

What makes kosher meat kosher? Err, there's more here than I really needed to know. Ah, well, modern society is awfully out of touch with how food gets on our table, so seeing such things is a healthy reminder of where our meat comes from. Not that our modern automated process mirrors the old school approach taken here...


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Whew, looking into the workings of this grisly business makes you feel like a voyeur, at least you aren't like THESE PEOPLE, oh my. Surely, the irony here isn't lost on the magazine creators - Click certainly seems a wholehearted experiment in peeping...


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And if the perennial subject of peeping toms doesn't excite you, the next article should, as the subject of WHITE SLAVERY sold many a magazine and must have been some sort of great fear for many an American for many years of the 20th century as the subject seems to pop up from the illustrated newspapers into the pulps and variety mags and into the sweat mags spanning a good majority of the century as a hot topic for the tabloid-minded. This issue devotes a whopping 6 pages to the subject, I'm only going to post the first.


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And following the article on white slavery, blood-thirsty Nazi youth! Is this the old-school equivalent of backyard extreme wrestling?


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From Violence to Sex? How to Sleep with a Stranger?!?


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Hey! Damn misleading headlines, grumble, grumble. A fun article, though. I sure hate sharing a hotel bed with anybody but my wife - family, friend, stranger, or no...And a couple of samples from the gallery/cartoon pages. Carole Lombard, what a beauty...


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Click contained a handful of color pages which add charm. Usually it's the cartoon pages that get the color treatment, but not always.


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The last sample pages I'll put up from the issue are both pages from an article on Washouts or the type of women that men don't like to date. Most of these behaviors are indeed irksome, though I admit I find a number of these supposed turn-offs rather endearing and I imagine I'm not the only one...


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Also included in the issue (there's no contents page) in addition to cartoons and gallery photos are articles on pain and hypnotism, driftwood art, baby photos of stars, the secret of Jeanette MacDonald's popularity, nose-bobbing, women doing a man's job, Mae West and a dummy, a Zulu wedding, entertainment news, bee stings: a cure for rheumatism?, and more. Big thanks to McCoy for scanning this key issue! While I'm at it, here's a couple more of this title that he has scanned - thanks for all your hard work, bud.

Click v02n02 March 1939

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Get the full issue here.

Click v02n05 June 1939

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Get the full issue here.

Tomorrow! Another McCoy scan from last week, a fantastic novelty catalog I just have to get up here....And later this week - how to edit - some technical tips and some thoughts on presentation...

Sunday, March 27, 2011

Matt Baker's Romance Covers: Graceful Titillations


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full issue available here

So I've tried to focus on magazine material here on my blog, but today I'd like to post some of the comics I've been working on recently from the St. John line and take a minute to talk about perhaps my favorite artist of the golden age, Matt Baker. I posted an issue with one of his covers and a story (along with some recommendations for further reading) back here but today I want to diverge from my normal pattern a bit and post a number of issues focusing mainly on the covers. The issues I'm posting today all come from the collection of Jim Vadeboncoeur, Jr., who my the readers of my blog who are fans of magazine illustration might know as publisher of Images, containing lavish printings of classic and re-discovered art from 1880-1922, or from his most excellent collaboration with Everett Raymond Kinstler on the artist's life and work. Comics fans might know Jim from his contributions to so many works in comics scholarship, as he is widely recognized as the go-to-guy for help with artist identification and as the premier indexer of golden age comics. Jim has been generous enough to loan out comics from his amazing collection to a number of scanners working at the golden age comics sites with the goal of archiving the entirety of the golden age that rests in the public domain. So big thanks to JVJ for letting us scan his often-valuable and scarce comics (along with priceless index information that accompanies each issue) and to all the donators who have helped in the costs of shuttling the comics back and forth. Thanks also to my scanning partner on the project, Twobyfour, for his dutiful work in handling and producing the raw scans of Jim's books which I'm editing. Having an instantly available library of golden age comics is such an incredible boon for comics fans and researchers, so thanks to all involved in the project and the scanning of golden age comics in general.

But back to the man of the hour, the inimitable and enigmatic Matt Baker. I first became aware of Baker's work in my initial forays into the golden age, as his good girl art in the Fox and Fiction House comics instantly stands out from many of his peers. And then I came across his covers for the St. John Romances (which I think most would agree represent his greatest achievements), and I was hooked. Doing my first bits of research, I learned something that I found utterly surprising which added to my curiousity. This master of titillation and the female form was a black man, and quite a handsome fellow at that.


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This photo is from John Benson's short-but-thrilling and absolutely informative Confessions, Romances, Secrets, and Temptations: Archer St. John and the St. John Romance Comics, companion to his Romance Without Tears, a reprint collection of selected stories from the St. John line (many by Baker). There's another great photo of Baker in the book together with Archer St. John in front of Grauman's theater standing by Jean Harlow's footprints, these being the only two photos of Baker I've ever come across. Benson's book along with Alter Ego #47 has helped clear up some of the mystery surrounding Baker's life. One nice online biography on Baker can be found here, and American Art Archives has a nice little gallery of varied Baker covers along with a couple of magazine illustrations here.

That Baker was a black man shouldn't matter, of course, but I readily admit I find it adds to his mystique and my curiosity. I've since learned that there were indeed a handful of other minorities and women in the business, but the idea of such a prolific black artist in the medium is surely surprising in a field that was dominated by white men. A black artist circa 1950 drawing a scene like this?!?! Very cheeky, I'd say. Taboo upon taboo:


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full issue available here

Drawing blondes and redheads behaving badly?! Oh, my. Teen-Age Temptations is perhaps my favorite title for a romance comic, and some of the issues seem to have particularly spicy covers. But surely many of the players don't look like teenagers, heh heh. Another cover from the series:



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full issue available here

Sure it's sleaze, with taglines like "Flirtation on Wheels" or "The Powerful Story of a Trailer Girls Love" the cover is meant to play with scandal (the Estrada story within the cover goes with however is actually a thoughtful examination of stereotypes and class bigotry). I even catch the connotation that maybe she's preggers, scandalous! But there's also a subtle artist at work here. Her hands gripping with tension, the agonizing but thoughtful look on her face, the sort of smarmy smirk (a Baker trademark) on her suitor. And the whole scene is flushed out with depth and detail. I love the old trailers and the good ol boys working on the car in the background. Who could resist pulling this off the newsstand? It's no wonder that he penned over 220 covers for St. John during his tenure for the publisher.

One more from the series, more drama, and another fully-rendered scene. Many of the Baker romance covers have a great sense of perspective and are packed with little details. With main players, bystanders, and a feeling of depth, the reader as voyeur can slip right comfortably in and feel unobtrusive...


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full issue available here

Despite the sometimes sensational aspects of his covers (perhaps dictated by market necessity or St. John himself, the mid-50s covers with the approach of the comics code are downright wholesome - not to mention breath-taking), if I had to associate one word with Baker's art it would be grace. He makes it look so easy. I've seen stories of where another artist would be talking with him and sit there and watch him draw out an entire splash page without using the eraser once. There's a flow and an economy to his his art in the St. John period that is just so appropriate for a romance and for drawings of the female form. He had a reputation as a ladies' man, and you can certainly see in his work an understanding of the female form and facial expression that's just a wonder to behold. The cover I started my post with is perhaps unique among his covers for the close-up perspective, and I can see why John Benson used it for a cover for his book. And here's some more covers from the longest running St. John title, Teen-Age Romances.


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full issue available here


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I love to work on these covers, but it is definitely a labor of love. I'd say the average cover from the golden age takes me about 15-20 hours. Here are a couple of the before and afters side by side for those of you that are interested in the digital restoration out there to check out.

Teen-Age Romances 14 before
Teen-Age Romances 14 after

Teen-Age Romances 12 before
Teen-Age Romances 12 after

Admittedly, much of the finer detail I seem to obsess about gets lost at screen size, but still I think the proof is in the pudding one way or another. The image I share is much compressed in width as well as quality, so I make sure and always keep my working files in case there's ever a need for the bigger image. Not to mention, some covers are done to a higher standard than others, and I might always return to some of them some day. You can check out an example of the large working tif files for this last cover here for a much closer look at what goes into erasing the tears, flaked inks, stains, page bleed, etc. on one of these covers. I try to always keep textures and printing patterns as intact as possible and avoid anything as tacky as bucket fills or re-drawing. Most of the work is done with the clone stamp at various opacity settings. Even though I'm "restoring" the cover, I like to keep the feel of the original printing methods. A reminder also that the picture hosting site compresses these images before they relay them, so the images in the scan files will be of greater width with less compression and artifacting.

While I'm at it, I'll go ahead and share my folder for all the scanned issues of St. John's romances. A reminder that these and many more golden age comics can be found at the Digital Comics Museum. The St. John romance scans are a work in progress, and many, many issues are left to be scanned (I figure less than a quarter currently scanned). They tend to be pricey and scarce, so it's great JVJ has let us scan his, and once those are done there will still be issues in need of scanning. Some interesting titles to check out are the Adventures series packaged by Leonard Starr and Warren King in a cool, slightly oversized format along with Hollywood Confessions, packaged by a young Joe Kubert for St. John. The scanned St. John issues are all in here, and I'll try and keep those folders current. Big thanks to all scanners represented. There's a hot off the presses batch of Diary Secrets scanned and edited by my pal Snard from the JVJ collection in there, so enjoy those romance fans.

I'll be returning to Matt Baker's art at some point in the future with an update on the JVJ project along with a high-resolution collection of some of his illustrations for men's adventure magazines and crime digests which should be fun for those that haven't seen Matt at work in that sort of format before.

Thursday, March 24, 2011

National Sputnik Monroe Day / Memphis Heat Premiere

Just a quick post tonight to say that I attended the world premiere showing tonight at the Malco Paradiso of Memphis Heat, and IT WAS KICK-ASS. I made it to the 9:00 showing, and it was standing room only - an electric atmosphere for certain. The line to get in snaked outside, and you could hear fans sharing all sorts of crazy wrestling memories.

Jimmy Hart introduced the film, co-executive producer Sherman Willmot had a silver Sputnik-streak in his hair, and Jerry Lawler had a special video-intro for the crowd since he was in Florida shooting for a movie. You could tell the hometown crowd really appreciated seeing all these special wrestling memories, and my hat goes off to the filmmakers for a job well done. The editing, the audio, the soundtrack, the story-telling were all top notch, and fans of Memphis wrestling owe it to themselves to catch this with other Memphians while it's in the theater (it's playing down on the square and also at the Southaven Malco Desoto 16 for the coming week).

I personally really loved seeing some interview footage of Sputnik and Billy, and the story of carnival wrestling and their feud kicks off the film as sort of "the rise of Memphis wrestling". From there it doesn't slow down one bit, and a whole parade of vibrant characters play out the colorful history of Memphis wrestling, a town where Saturday morning wrestling held a completely astonishing 80 percent market share for years. It was great to see Rocky Johnson, Bill Dundee, Jerry Lawler, and many others, but the guys who really steal the show interview-wise are Jackie Fargo and Jimmy Valiant. Jackie's so full of shit, but you can't help but smile when he starts to dish it out. And, Jimmy, what a sweetheart, his positive attitude is contagious. The film concludes with the Lawler-Kaufman feud (with some absolutely fantastic clips I'd never seen before) and the following Hart-Lawler feud and Jimmy Hart going to the WWF. You can't really blame Jimmy, but it does really serve as a nice instrument in showing how Vince and cable really took the air out of the local promotions. If I have any gripes, it'd be that some of the archival footage video quality is rough, but so it goes with old wrestling footage, and the filmmakers have done a service to gather what is available before anything else gets lost. Hot damn, I want to see the movie again just thinking about it - I must be excited to be typing about it 1:00 in the morning the night of - don't miss out!

Did I mention the awesome soundtrack? All Memphis and all awesome. As Don Poier, sportscaster for the Grizzlies, used to say, "Only in the movies, and only in Memphis."


*For a couple of my past posts on Memphis wrestling, click here for a post on the career of Sputnik Monroe or here for a short review of Ron Hall's book that inspired the movie.

Friday, March 18, 2011

Look, January 18, 1949 / Stanley Kubrick as Photographer


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Get the cover to cover scan here! Big thanks to McCoy for his edit work on this issue.

A short detour from planned posts today, let's take a gander at a key issue of Look, a magazine often quickly dismissed as an also-ran competitor of Life though it was hugely successful in circulation and possessed in my opinion a fun and distinct flavor (a bit more sensational, more entertainment-oriented) from Life. Life debuted in November of 1936, and Look started with v01n02 in February of 1937, and PIC actually beat both of them off the block with its first issue in May of 1936. All of these magazines were on an over-sized paper stock and capitalized on printing advances that made the publication of photographs much more affordable, ushering in the photo-dominated slick magazine and the end of the golden age of illustration. Look was founded by Gardner "Mike" Cowles (Executive Editor of the Des Moines Register) and his brother John and began as a thinner magazine (44 pages) subtitled "The Monthly Picture Magazine" with very little text. The captions often told the story or the text would just be a paragraph or two, and there was no advertising whatsoever. The magazine was monthly for its first five issues but quickly moved to a bi-weekly format. In January of 1937, Time published an article describing the origin of Look and and its founders and gives a description of the first issue's sensational contents aimed, the article says a bit condescendingly, at a "lower, broader" audience than the fledgling Life. Doc Lomazow has a nice, big scan of the cover for this first issue over on his blog on a post here. Within weeks, demand for Look soared to over a million copies. Peak circulation was 7.75 million, and it was the second highest selling mag after Life and sold more copies than The Saturday Evening Post. In 1971 when it closed its doors, it still had a circulation of 6.5 million, not too shabby.

My man McCoy happens to have scanned one of the 1937 issues (August 3rd), and I'd be doing a disservice not to post it here in the conversation so that you can get a fuller picture of the magazine's early character.


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Get the cover to cover scan here! Thanks to McCoy for sharing the issue with us. All sorts of oddities in here - an elephant steps on a man's head, Stalin, Hitler, and Mussolini pay for babies, catching a polar bear, rope dancers, tidal waves, teaching the deaf to speak, what makes fighters punch drunk, a new treatment for freckles, April Fool joke becomes fashion rage, an extended pictorial on the rise of Gary Cooper, and much more...

But back to the 1949 issue, by which time the magazine has moved to a format that the modern reader is more familiar with at 100 pages, plenty of advertisements, some color(though on alternating qualities of paper stock), and articles more in-line with what we think of when we think of Life or other weekly magazines. If you plan on scanning any of this type of magazine, you'll most likely want to use an A4 scanner, as the pages are much too big to fit on a standard scanner, and merging two scans for each page is very labor intensive. Look, from what I've seen on eBay, isn't collected by too many folks. You can find issues fairly cheap there, and the circulation was so wide that it's one of the titles that you can sometimes find at flea markets and antique malls. It's not a magazine I go out of my way to collect (the cover design in later years is not very attractive in my opinion), but I do keep an eye out for issues with cool content. Like the publishers intended, the magazine has broad appeal, and readers today will find all sorts of interesting material in the historical and political issues of the day along with plenty of entertainment and lifestyle topics as well as great vintage advertising.

The indicia page for the January 18, 1949, issue:


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So, I picked this issue up, as you no doubt quickly deduced from the post title, because I'm a fan of Stanley Kubrick and was interested in seeing some of his early photographic work in context. Kubrick grew up with a dark room in his home and was only 16 when he sold his first photograph to Look. He joined the Look staff as a full-time photographer just as soon as he graduated from high school. Fans of his cinema will no doubt be unsurprised that he began his career as a photographer, and the extended article/pictorial in this issue "The Prizefighter" served as inspiration for his first film, "Day of the Fight," which also centers around the life of boxer Walter Cartier. Day of the Fight is public domain and available at archive.org or you can download and see some screencaps and a little more description here. Be warned, though, the video quality at archive.org (and on the other two much larger rips I've found on the web) is truly awful and detracts from enjoying the film. The little doc seems solid enough and would give him the name and footing he needed to further his career. I recently re-watched perhaps my favorite of his films The Killing and saw for the first time Paths of Glory, both films which already have him in great form just five years later. A friend mentioned to me that he wondered if Scorsese's Raging Bull was influenced by "Day of the Fight" and the Look pictorial, and I'd say you can see how the day to day details shown of Cartier's life might have influenced that later film. There are book-length collections of Kubrick's photos out there, and Look donated their photos to the Library of Congress, and there are about 100 Kubrick photos available online here for your viewing pleasure. Many of them are quite good, though some of the negatives seem to have deteriorated. Kubrick is a great example of one of the many luminaries who began their careers in American magazines. For your reading pleasure, "The Prizefighter":


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There are plenty of other neat articles in here, too, I'll put up a couple more articles I enjoyed. First, here's an article a Herbert Hoover commission on the size of government which might almost be considered quaint in light of 60 years of expansion, "Is Our Government Too Big" by William B. Arthur. It's right after the war, and Americans had a pretty positive view of Uncle Sam, so there's really not too much anti-government rhetoric in here, but you can tell there's some skepticism about the expanding role government was taking in our lives. I, like most Americans I'd guess, have mixed feelings about big government. It's certainly a tool for bettering society and checking wanton corporate behavior, but at the same time, the inefficiency and cost of it all can be maddening. The recent report that comes to mind is the one talking about all the layers of duplicate bureaucracy in the Dept. of Homeland Security (which I'd say we could just about do without altogether, I'm sure others would say things about entities I appreciate such as the DOE, etc). One thing for certain, though, rolling back government to the size of operations in the 19th century is an absolute pipe dream - at some point I feel like it's far healthier for the republic to adopt a mindset of management and responsibility for your government instead of viewing it as the enemy and that goes out to personages on both ends of the political spectrum...


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And here's an article on post-war Japan I found very interesting, "The Strange Case of MacArthur in Japan" by Hallett Abend. After reading much on WWII last year, this is an interesting look at Japan 4 years later, still having a very rough time of it. MacArthur is one of those figures in American History that gets almost deified by many, so I was surprised to see the critical stance the writer takes. In light of how quickly Japan would eventually recover and in light of some of our more recent attempts at nation-building, I've always thought of our work in Japan as ultra-successful; it's a subject I really ought to look into more, as I would suppose this was a critical period in the forging of a new way of life and a new national identity. The author seems to foreshadow coming events in Korea and is eminently concerned with the operations of communism in this faltering Japan, the Cold War is at the forefront of his concerns. Anyways, as usual, reading an old magazine has disturbed some of my pat ideas on History, so I'm inspired to do some digging on the subject. But here 'tis:


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And some little odds and ends I enjoyed, more on this stuff in the complete scan. Kiss Me Kate, Cole Porter makes a comeback.

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A fun ranking of stars' money-making power for 1948.

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From a nice article on Elizabeth Taylor. After ogling at the pics I was a little embarrassed to read she's only 16 here, oh my.

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In theaters now. I saw Yellow Sky last week and really enjoyed it. If not for the poor climax and aftermath, it'd be a classic.

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An article on women in homebuilding I enjoyed, as my stepmom has always been involved in my pop's homebuilding ventures.

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Schlitz...

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Buddy Rich!


Next time - back to our previously scheduled programme. How to scan pt.3, editing.

Tuesday, February 22, 2011

Inside Wrestling, May 1969 / The Toughest Bout I Ever Had


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OK, mat fans, up for your reading pleasure today is the last in this series of wrestling posts, a fun issue of Inside Wrestling from May 1969 in which a number of legends of the ring disclose "The Toughest Bout I Ever Had" in their own words. If that Weider Wrestling magazine from a few posts back was a dense read, Inside Wrestling in this era was quite the opposite with big type and a fast pace. I've picked up a few early issues of this magazine from this era, and they're a real hoot.

Inside Wrestling v02n03 (1969-05.Jalart)(D vs M).cbr
Get the full scan here!

Contents Page

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The letters page in a magazine is always a draw for me and is often a good indicator of who is in fact reading a publication. In this issue, there's a whole page dedicated to divisive issue of inter-gender wrestling which I found pretty surprising, thinking that the subject didn't really come up until Andy Kaufman used it to kick off his career as despicable heel. But, indeed, there was some precedent apparently:


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The bottom right letter mentions a "mixed match," wowsah, I'll have to keep an eye out for that issue to learn more. The first three letters reference some letters from early in the year, so apparently it's a subject that inspired a number of readers to write letters. I like these girls that are certain that they can lick the boys and find just as entertaining the men that insist such a thing isn't possible and are more than willing to prove the fact. Maybe a young Andy Kaufman got the idea from reading in these old magazines. A fun film regarding Andy's bizarre time in wrestling (which was terrible for his career and relationships, he must have been an intense personal desire to be a wrestler) is I'm From Hollywood (1989), check it out. Here's a couple of pertinent youtube clips. Probably the most famous clip regarding Andy's battling women, Kaufman baits Jerry Lawler as part of their famous feud with words and actions bound to incite:



And here's another clip I discovered this morning -not from I'm From Hollywood, I'm not sure where it comes from - but Andy reveals a little bit of his motivation and the ideas behind his career in wrestling:



Apparently, there's a whole book of letters from women written to Kaufman during this time, I guess he cherished them as keepsakes, oh my. Just this week, controversy surrounding inter-gender wrestling came up in high school competition in Iowa and made the national news. I pretty much applaud the behavior of all involved in this for doing their own thing:

http://www.huffingtonpost.com/2011/02/17/joel-northup-cassy-herkelman_n_824649.html

Hell, I might even prefer if my little girl wanted to wrestle to her latest activity, cheerleading, but we don't get to pick our kids' pursuits, eh?

But on to the meat of the issue! After wrestling thousands of bouts, I can understand why it would be hard to pick just one, but a number of the wrestlers could pick a match immediately, while others might have made more sentimental or symbolic picks.

The set-up.

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Edouard Carpentier had no troubling picking out his toughest match against Killer Kowalski who I wrote about a couple posts ago.

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Carpentier, "The Flying Frenchman," died in October of last year. He is remembered as one of the first wrestlers to adopt the acrobatic style that is so popular in modern wrestling, especially among the luchador types, and he had a long and successful career in international wrestling. Greg Oliver wrote a nice obituary for him at SLAM! Sports which you can find here. The article also links to a nice photo gallery as well as a second article in which other wrestlers remember Carpentier. If you want to see some of his somersaults in action check out his finishing moves against Mike Valentino in this bout on youtube, good stuff:



Or here's Bobo Brazil's toughest bout, against the dastardly Fritz Von Erich, beware the claw!!! Von Erich ran a very succesful promotion in Texas, Big Time Wrestling which would switch to the name of World Class Championship Wrestling around the time the elder Von Erich retired in 1982.

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And one more of these toughest bouts, an infamous match in the career of Gorgeous George and The Destroyer, Dick Beyer. "Mask vs. Hair" - if George lost, off went the golden locks, if The Destroyer lost, he'd be unmasked, equally terrible for a concealed wrestler.

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The Destroyer has an excellent site here, order your Destroyer mask today - I am! The kids will love it (I think I'll have to go with the Dr. X incarnation). What a class act Beyer is, as evidenced by his choice of toughest bout and his explaination of it. It was a tough bout for him, you can tell, because of his reverence for George. And you can see him emphasizing how good of a technical wrestler George really was, sentiments I've seen echoed by Lou Thesz, Sputnik Monroe, and others. Watch some of George's youtube clips and you'll see some fantastic moves along with superb "selling" of the action. He was a very energetic wrestler and he could really broadcast what he was doing to the back rows as well as the TV audience through physical comedy and action. John Capouya's bio on George, which I've mentioned on my blog before, spends some time on this bout and casts it as George's swan song - a sad, yet brilliantly conceived, end to George's career, and it's apparent Beyer saw it this way too. George had a severe drinking problem, and by this point in his life, he was on the way out of the sport, his business (a bar) was failing, he had spent 10 days in the hospital for liver failure in early 1962, and two marriages had ended very badly for him. Desperately in need of money, George approached Beyer for the match even thought he knew that it meant losing his hair and quit drinking for the match's preparation and was back in old form in the build-up for what was a fantastic bout. The frenzied crowd grew quiet in the end, though, as Frank and Joseph, George's famed hairdressers, clipped his golden locks, and some fans even left the building, unable to watch proud George lose his hair. His fall would hasten in 1963, and he died destitute on Skid Row on the day after Christmas. Beyer had a long and successful career in the states as well as in Japan and went on to teach P.E. in public schools in New York and coach football, wrestling, and swimming. He's still around and inducted Gorgeous George into the WWE Hall of Fame on March 27th, 2010.

But, though the match above does seem a fitting swan song, it is fair to note that there was a rematch a month later (which was indeed George's last match) and also that this wasn't the first time George had clipped his hair. I'm in the middle of Joe Jares' most excellent and sadly out of print Whatever Happened to Gorgeous George? (which actually covers many topics of interest to the fan of old school wrestling, there is only one chapter on George), and Jares describes a series of matches in Toronto against Whipper Watson in which George put up his hair in 1959 and even has photos of the aftermath in which George seems able to still ham it up and is not as sullen as after the '62 bout. At first, George lost and welshed on the bet, enraging fans, but he would finally get his head shaved the following week after losing again. His second wife, Cherie, even underwent the same indignity, screaming all the while, when George bet her hair to Watson after having lost his own. Perhaps because these matches were in Canada, they are not as well known. It was much easier to re-use story lines in different territories before the sport went truly national with cable in the 80s.

And I can't resist posting another fun article from the issue. Remember folks, it's not the size of the dog in the fight, but the size of the fight in the dog. An article on Pedro Morales and his experience tagging with midget wrestler, Lord Littlebrook (the small wrestlers had gimmicks, too, and were lords, indians, cowboys, etc). In our PC age, we don't allow such things, but midget wrestling was loved by fans and children and was a staple of the sport for many years. Morales seems sincere in his adoration of Littlebrook, and indeed these little men (and women) were capable of mighty feats of athletics and entertainment.


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A couple more samples from the issue. Say it isn't so, Brenda!

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Eye-gouging is a standard tactic for the heel, but this article describes the horror up-close and personal, egad.

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Well, that's it for wrestling magazines for now, I hope you've enjoyed it mat-fans. At some point in the future, I'm bound to write more on wrestling and have really enjoyed typing these posts for y'all, but I've got to move on to other topics of interest. Coming up!!! - a definition of pulp, editing tips, my long-promised series of posts on the birth of the girlie pulps, a series on Bernarr MacFadden's earliest magazines and then his success and varied magazines of the 20s, the art of Matt Baker's romance covers, confession magazines, Western pulp, Jim Thompson and Master Detective, the circus!, The Youth's Companion and The American Boy, Dashiell Hammett and The American, The Chicago Seed, The East Village Other, a selection of magazines from the roller derby, McClure's and the turn-of-the-century magazine, hobo publications, and much, much more. I better get off my ass and type more often! Big thanks again to my man McCoy for the edit on today's issue. He did a fantastic job with this magazine considering the many, many joins and the uneven inks. He may be a silent partner here, but he works just as hard as I do on all this stuff, so it is appreciated!